Whilst rigging lights the crew would be responsible for the gels and which light they are postioned in.
The above colour call was altered during a rigging session. The lighting designer desired the gel number 103, however due to a lack of this gel in stock, we replaced them with 205, which closely resembles the straw colour of 103. To avoid light patches on the stage, we grouped the lights together so the beam would blend.
The picture is evidence of me cutting out a gel for the rigging prosess.
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